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Claire Coté

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What is a Cyanotype?

March 28, 2025 Claire Cote
View fullsize Cyanotype Example Exposure - 1.jpg
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What is a Cyanotype?

Cyanotype is an accessible, nontoxic photographic printing process first used in 1842. It produces prints in a distinctive dark turquiose-blue. The word “cyan” comes from the Greek, meaning  “dark blue substance.” Compared to other photographic printing processes, cyanotype is relatively easy, inexpensive and nontoxic. No darkroom is needed, instead it uses the power of the sun and iron salt solutions rather than the silver salt solution of black and white photography; cyanotypes are often referred to as “sun prints.”

It’s Chemistry!
Ferric ammonium citrate and potassium ferricyanide solutions are combined, then exposure to UV light creates ferric ferrocyanide, a color also known as Prussian Blue (named for the color of the Prussian military uniforms.)

To make this light sensitive solution, two powdered chemical solutions are mixed separately with water:
1.   25 grams Ferric ammonium citrate (green) in 100 ml of water.
2.  10 grams Potassium ferricyanide in 100 ml of water.

View fullsize Cyanotype Example Exposure - 1.jpg
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View fullsize Cyanotype Example Developed - 1.jpg
View fullsize Cyanotype Example Developed - 1 (1).jpg

The Process
The two solutions are then mixed in equal parts to create the third light-sensitive emulsion solution. This is then painted on one’s chosen substrate, usually paper or cloth, but it can be wood, egg shells, teabags (a personal favorite of mine!) - any receptive material. I’ve found that organic materials are most receptive to the emulsion, but the sky is the limit if you’re willing to experiment! It takes some practice to get it right – too thin a coat will not work, and too thick a coat will wash off and different thicknesses on different materials have different effects.

Once the chemicals are mixed together and you’ve applied the solution to your surface, this must be protected from UV light. Alternately, you can buy pre-treated Sun Print papers quite inexpensively (a super fun way to make this process accessible for kids and experimentation).

When you’re ready to create your cyanotype, gather the materials you will be placing on your paper, fabric or chosen coated material. Do this in an environment that is free from as much UV light as possible for best effect. Then place your piece in sunlight for several minutes; times vary with material, thickness of emulsion coating and intensity of the the sun/UV light. If there is some cloud cover exposure will be longer.

Once you’ve exposed your piece, submerge it in water and agitate and/or rinse it until the water runs clear. Then hang it or place it on a clean surface to dry. Your cyanotype is done!

A Brief History
The cyanotype process postdates the daguerreotype and calotype methods, but pre-dates the pioneering photographic methods of salt prints, albumen prints, ambrotypes and tintype processes.

The cyanotype process was invented in 1842 by Sir John Herschel (1792-1871), an English astronomer and scientist. (His father was the astronomer Sir William Herschel, who discovered the planet Uranus.) However, Herschel did not use cyanotype for photography, but for reproducing his astronomy notes. The cyanotype process was then popularized primarily for copying notes and creating copies of technical and architectural plans, which were called blueprints. Although the cyanotype process is no longer used to create them, any construction document or detailed plan is still referred to as a blueprint.

In 1843 Anna Atkins (1799-1871) , an English botanist and photographer, (and a friend of the Herschels) produced the first photographically illustrated book by using 421 cyanotype illustrations of seaweeds. Atkins named them ‘shadowgraphs’. The book was called British Algae: Cyanotype Impressions. She created the images by placing objects directly on photosensitive paper; this process is called a photogram. She is regarded as the first female photographer.

The New York Public Library has a good collection of Anna Atkins botanical cyanotype prints from John Herschel’s copy of her book. Some of these can be seen on http://www.flickr.com/photos/nypl/sets/72157610898556889/ and the complete set on can be accessed from http://digitalgallery.nypl.org/nypldigital/dgtitle_tree.cfm?level=1&title_id=100174.

This post was compiled from these links:
https://jennifereurell.wordpress.com/a-look-into-the-past/
https://blog.phillipscollection.org/2012/05/04/what-is-a-cyanotype/

← Spring 2025 Exhibitions in TaosNew Cyanotype Drawings on view in Jelvega, Latvia →

Claire Coté: News + Views

Peruse this blog to find news and updates about my current, ongoing and past projects, art shows etc.

This is where I will keep you up to date with what I am up to...

For more in depth explorations of my Off-Grid Arts practice visit: offgridarts.wordpress.com

For posts about Dreaming Place & Radio Dreaming visit: dreamingplaceproject.wordpress.com

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What a treat to have such dear friends come visit and stop by my studio! We loved getting to see you. Thanks so much for sharing in and supporting my creative journey. So happy this little green jewel of a collage went home with you. Can't wait for o
Hints of fall are in the air, summer is winding down. Plants are thick with growth from the incredible rainfall we've received. A hike down to the Rio Grande is one of our favorite ways to celebrate any season. 

"Have you ever regretted coming
My dad shared this piece of wisdom with me at a time when I really needed to hear it. Now it's in my kitchen reminding me to "Honor the rests."

Rest is directly linked to rejuvenation and resilience. My intention is to "honor the rest
Late summer in Sunshine Valley, view to the North down our driveway this morning. Cloud hat on Ute Mountain means more rain coming today. We are so grateful for these wonderful rains after such intense drought, but now many are experiencing flooding.

Claire Coté, COPYRIGHT 2013 - 2025
All artwork is the sole property of Claire Coté and is held under copyright (even after purchase). The images, artwork, and contents of this website may not be copied, collected, or used for personal or professional gain without the written permission from CLAIRE COTé. All images of artwork, sold or otherwise, are retained by Claire Coté.